Architect Essays

Architect Essays-30
MIT Press began publishing journals in 1970 with the first volumes of Linguistic Inquiry and the Journal of Interdisciplinary History.Today we publish over 30 titles in the arts and humanities, social sciences, and science and technology.In this essay I will attempt a synthetic overview that explores the affinities and differences between them.

MIT Press began publishing journals in 1970 with the first volumes of Linguistic Inquiry and the Journal of Interdisciplinary History.Today we publish over 30 titles in the arts and humanities, social sciences, and science and technology.In this essay I will attempt a synthetic overview that explores the affinities and differences between them.

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Drawn to architecture because it provides “an open series of structural models,” Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries.

He leads the reader from Jean-François Blondel to Eugène Viollet-le-Duc to Mies van der Rohe to Diller Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre.

Mark Jarzombek Professor of the History and Theory of Architecture, MIT From Noah's Ark to Diller Scofidio's “Blur” Building, a distinguished art historian maps new ways to think about architecture's origin and development.

Trained as an art historian but viewing architecture from the perspective of a “displaced philosopher,” Hubert Damisch in these essays offers a meticulous parsing of language and structure to “think architecture in a different key,” as Anthony Vidler puts it in his introduction.

Instead they require cross-disciplinary problem solvers from allied disciplines – architects, interior designers, and landscape architects – to work together to craft a new way of thinking and working, an integrated conception of environmental design that regards interiors, buildings, and landscapes as linked interactive systems.

Interdisciplinary collaboration is easier to achieve in theory than in practice.The essays are, as Vidler says, “a set of exercises” in thinking about architecture.Hubert Damisch is Emeritus Professor of the History and Theory of Art at the École des Hautes Études en Sciences Sociales, Paris.Considering these questions from a historical and social perspective, has led me to conclude that the seemingly straightforward differences in design approach and professional conduct between architecture, interiors and landscape stem from deep-seated cultural values often rooted in class and gender.Over the past 20 years, I have written papers that treated the relationship between architecture and interiors and architecture and landscape as independent subjects.Modernism, for all of its arrogance and heroic delusions, at least rooted itself in utopian social ideals.The challenges posed by contemporary global culture are far too complex, wide-ranging and interconnected to be solved by a single author representing one design field alone.Anthony Vidler is Dean and Professor of the Irwin S.Chanin School of Architecture at The Cooper Union, New York.Over the course of a long and distinguished career, he has held posts at Cornell University, Columbia University, and the Center for Advanced Studies in the Visual Arts, Washington.He is the author of The Origin of Perspective, The Judgment of Paris, Skyline: The Narcissistic City, and A Theory of Cloud: Toward a History of Painting.

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