The black kids in the ’70s, generally speaking, were always forward looking when it came to their musical tastes, so old Soul 45s weren’t going to cut it.Instead they were into the latest Funk and Dub Reggae, and later Jazz-Funk.It was all a mating ritual, especially when the DJs played slowies so people could get close up, whereas on the Northern Soul scene sex was way down the list of priorities.
The black kids in the ’70s, generally speaking, were always forward looking when it came to their musical tastes, so old Soul 45s weren’t going to cut it.Instead they were into the latest Funk and Dub Reggae, and later Jazz-Funk.Tags: Buy Letter Writing Paper OnlineWater Consumption EssayTop Homework HelpSocrates EssayResearch Papers Alcohol AdvertisingWriting Good EssaysReferences Format For Research PaperEssay On BeautyEssay Should College Student Wear Uniform
The final straw was when he ended up being forced to pay over £100 for a record he was originally quoted £50 for a few days earlier.
This was at a time when £100 amounted to more than a month’s wages for a lot of people.
Just a few months ago, BBC 2’s ‘Culture Show’ focused on the Northern Soul movement in a poignant half hour feature, where journalist and broadcaster Paul Mason, a former Casino regular, re-visited his roots, re-connecting with the scene today after more than 30 years detachment.
You can view the programme, ‘Northern Soul: Keeping The Faith’ in full here: The Northern Soul scene would also have, by default, provided something of a safe a haven for gay males, especially still-closeted gay males, who couldn’t express themselves in the mainstream clubs for fear of being found out and the ridicule that would ensue.
You could be gay in the Casino and no one would be any the wiser, your sexuality just wasn’t an issue, people were only interested in the important things – the music, the dancing, the drugs, the camaraderie.
Even alcohol wasn’t necessary – in fact it would more likely have spoilt the vibe had they been able to serve it, with All-Nighters falling outside of the normal licensing hours.One book that left a strong impression on me was ‘Nightshift’ (1996) by Pete Mc Kenna, which goes right to the underbelly of the Northern scene and its seedier aspects, giving a real eye-witness insight into those times, a taste of how it actually was, pulling no punches in its description of the drug use and its casualties.‘Northern Soul – An Illustrated History’ exposes, warts and all, the drug culture attached to the movement, which didn’t stop at taking pills – some began to inject speed for a swifter rush, whilst other enthusiasts ended up heroin addicts or, worse still, dead from overdose.It’s interesting to note that in the early ’80s the leading DJs on the gay scene in both the North and South just so happened to be Northern Soul legends, Les Cokell at Heroes in Manchester and Ian Levine at Heaven in London.The uptempo side of the Northern scene undoubtedly influenced the style of music they played in their venues and the emergence of Hi-NRG, especially via Levine’s productions, as previously mentioned, but also thanks to Cokell and Leo Stanley’s ‘Castro Connection’ column for the early Mixmag, then called Disco Mix Mag.There’s always been this pseudo-criminal fringe on the scene, attracted by the underground nature of everything else around it.I was shocked by the first time I went to the loo at the Casino.The book has been well received by Northern aficionados, Constantine (and Gareth Sweeney) congratulated for their insightful overview of the movement, which is enhanced by the anecdotal offerings of some of the DJs, dancers and collectors who epitomized Northern Soul.Alongside the music and the clubs in which it featured, the book also highlights the drug culture that played such a major role, amphetamines fuelling its development. The movie is due next year, although it’s still to receive a release date.I was invited to a recent screening in London, but was unable to make it along.