DEEP SOUTH is a troubling series of images for a number of different reasons, and one does not even Sally Mann has never been one to play it safe, as a photographer, but DEEP SOUTH may be her most disturbing series of photographs to date.Tags: Cloud Business PlanThesis Network NewsBusiness Paperwork RetentionStudents Should Not Wear School Uniforms EssayAntithesis Of The LawWrite An Essay On A Red Letter DayBusiness Plan Food ProductPlastics In Ocean EssayExamples Of Argumentative Essays On AbortionEssay Hamlet Question
Almost everything you turn your camera on is art down there. The locations feature an alarming sense of loss, full of elements alluding to haunted memories, death, decomposition, and unspoken evil.
The feeling of hopelessness permeates within every photograph, oftentimes becoming overwhelming in the senseless emptiness.
, she metaphorically transposes histories of the American South into photographs using the wet-plate collodion process.
The laborious technique, which dates to the Civil War, requires the photographer to bring a bulky view camera, glass negatives, and a makeshift darkroom wherever she goes.
Sally Mann came to the attention of the public in 1992, with a series of intimate portraits of her children and her reputation has risen since then.
Haunting photographs from one of the greatest living photographers who became known for her family photographs primarily, and for photographs of corpses.Many bad things happened to me in the South, and while the people truly are friendlier there, and the culture of the Intermountain West does not approach it, I see the imperfections of the South, subtle and not so.And here, in this collection of landscape photogra Artistic depictions of the American South are too frequently oozing with nostalgic sap.The process requires great technical skill and is prone to accident.Rather than attempt conventional perfection, Mann embraces scrapes and fogged negatives that enhance a melancholic quality in her images.A landscape that is so lush with Spanish moss and weeping willows, weathered stumps and ancient stone walls, that to mess up a photograph here would be almost sinful.It is pretty much a quality confidence builder taking landscape photographs in the South. The three short essays offer up a trifle more than the photographs can muster, which is a good thing I think. Sally Mann has never been one to play it safe, as a photographer, but DEEP SOUTH may be her most disturbing series of photographs to date.Artistic depictions of the American South are too frequently oozing with nostalgic sap.As an expat living in a foreign country called Utah, I suppose I should miss My Old Alabama Home, and I do, but not with an abundance of sentiment.These pictures perfectly capture that haunted landscape.And Mann writes as beautifully as she takes photographs - I'm also reading her autobiography, and it is some of the most lyrical prose I've read in a long time. (I do wish that there was an index that told you where each picture was taken.